The decadent image of the journalist in Pedro Almodovar’s cinema

Main Article Content

Cristina San José de la Rosa

Abstract

Journalism and journalists play key roles in the cinema of Pedro Almodóvar. The director uses the character communicator with superficial presenters in most cases and occasionally precise serious informants. This study analyzes the presence of means of communication or journalists in his last 17 films and affects the prevalence of frivolity and satire before the camera as it is shown four emblematic titles to Ticos: Distant Heels (1991), Kika (1993) Talk to her (2002) and Return (2006). The data is extracted from the doctoral thesis The journalists in the Spanish cinema (1942-2012), in which the professional and personal profile of the informers which appear as protagonists or secondary in Spanish films is analyzed during the seventy years

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Article Details

How to Cite
San José de la Rosa, Cristina. 2019. “The decadent image of the journalist in Pedro Almodovar’s cinema”. Vivat Academia. Journal of Communication, no. 146 (March):137-60. https://doi.org/10.15178/va.2019.146.137-160.
Section
Research Articles
Author Biography

Cristina San José de la Rosa, Universidad de Valladolid

Cristina San Jose de la Rosa (University of Valladolid). Degree in Information Sciences from the Pontifical University of Salamanca and a degree in Hispanic Philology from the University of Salamanca and the UNED. Thesis on journalism in Spanish cinema and currently research in journalism, film, literature and education. She has worked for 14 years in the newspaper El Mundo de Castilla y León, 10 years in the local section and 4 in the Culture section. Currently, she is a professor of Journalistic Writing and Interpretive Journalistic Genres in the School of Journalism and journalist in El Mundo de Castilla y León.

Orcid ID: https://orcid.org/0000-0001-6891-3170

Google Académico: https://scholar.google.es/citations?hl=es&user=essW6LIAAAAJ

References

Barris, A. (1976). Stop the presses! The newspaperman in American Film. Cranbury, New Jersey: A. S. Barnes and Co.

Benet, V. J. (2012). El cine español. Una historia cultural. Barcelona, Paidós: Comunicación.

Caparros Lera, J. M. (2007). Guía del espectador de cine. Madrid: Alianza Editorial.

Caparros Lera, J. M. (2007). Historia del cine español. Madrid: T&B Editores.

Ehrlich, M. C. (2006). Journalism in the movies. Illinois (EEUU): University of Illinois Press.

Good, H. (1989). Outcasts: The image of the journalists in contemporary film. London: The Scarecrow Press.

McNair, B. (2010). Journalists in film. Heroes and Villains. Edinburgh: Edinburgh University Press Ltd.

Monterde, J. E. (1993). Veinte años de cine español (1973-1992). Un cine bajo la paradoja. Barcelona: Paidós.

Orellana, J. (2004). Pedro Almodóvar. La ley del deseo, en A. Fijo (ed.) Breve encuentro. Estudios sobre 20 directores de cine contemporáneo. Madrid: CieDossat.

Pérez Hernández Rubio, P., & Hernández Ruis, J. (2000). Esperanzas, compromisos y desencantos. El cine durante la Transición española (1973-1983), en Castro de Paz, José Luis; Pérez Perucha, Julio y Zunzunegui, Santos (Dir.), La nueva memoria. Historia(s) del cine español (1939-2000). A Coruña: Vía Láctea Editorial.

IMDb. Pedro Almodóvar Awards. Recuperado de http://www.imdb.com/name/nm0000264/awards?ref_=nm_ql_2 Consultado el 15 de noviembre de 2014.

Todo Almodóvar. Recuperado de www.todopedroalmodovar.blogspot.com Consultado el 15 de noviembre de 2014.

Almodovarmanía. Recuperado de http://www.almodovarlandia.com/espanyol/biography.htm Consultado el 15 de noviembre de 2014.