The wandering children of iranian cinema from myth to history
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Abstract
In cinema, this myth appears at a critical moment of Iranians contact with the modernity, and becomes the protagonist in a number of Iranian movies in a certain social-historical context. The educational space, moving this character forward, builds a perfect microcosmic relationship with social reality and sometimes turns the text into an allegorical image of a society which is changing value system, and thus in a deep identity crisis.
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