Conservation of analogue and digital photographs. Experience in the magazine Bohemia

Abstract

The projection and vision given to the conservation of the photographic materials increase in the context of the social and academic nets, because undoubtedly they form part of the history, culture and scientific development of the nations. The photographic patrimony gives faith like testimony and memory for those correspondents, readers and habitual fans of the informative products of the press organs that they look for to show the current reality that you/they represent. For they are been worth it of the domain of the techniques of prosecution of images, so that these products possess bigger added value and quality. The Ability of Communication (FCOM) of the University of the Havana (UH) he/she has the challenge of to create and to upgrade info-communicational platforms that sustain the processes of transmission of the information and that they respond to the talkative necessities of their members. However in her it is evidenced as the alternative use in the analogical-digital ways of photographic support it is relatively recent on the part of the new professionals that are formed. Question that demonstrates the necessity and importance of their use and conservation in the editorial-journalistic processes with developed talkative ends. After a brief journey on the emergence and development of the analogical picture in Cuba, direct antecedent of the digital one that coexists next to her in all the production contexts and digitalization. A characterization of the photographic files of the magazine is made Bohemia like example of good practical in the conservation of these vital resources for the educational and educational ends of the FCOM. It is also exposed experiences on the digitalization of analogical images and the access to local and remote resources of the photographic materials.