Radio and Music Repetition on On-Demand Services

Main Article Content

Abstract

For almost 100 years, music radio formats were in a kind of monopoly situation, regarding the established situation with the listeners. But with more and more music being digitalized and becoming available on the Internet, broadcasters, and particularly music radio formats, found to be threatened by a several digital alternatives. In this article, it is our intention to show how repetition, a radio landmark for broadcasting formats, is also a decisive tool to the on-demand music services, how this situation can threaten radio, and how may radio fight this menace.

Downloads

Download data is not yet available.

Article Details

How to Cite
João. 2014. “Radio and Music Repetition on On-Demand Services”. Vivat Academia. Journal of Communication, no. 128 (September):21-37. https://doi.org/10.15178/va.2014.128.21-37.
Section
Research Articles
Author Biography

, SintagmaID S.L.

João Paulo Meneses. Jornalista, investigador e docente universitário.É jornalista desde 1987 e trabalha há mais de 20 anos na rádio TSF (Portugal) .Leciona em cursos de jornalismo desde 1998, sobretudo jornalismo radiofónico. Concluiu o doutoramento em 2008 na Universidade de Vigo e é autor de diversos libros sobre rádio (e ficção).

 

 

References

BARNARD, Stephen (1989), Onthe Radio: music radio in Britain. Maidenhead: Open UniversityPress.

BERRY, Richard (2006), «Willthe iPod Killthe Radio Star?». Convergence, 12 (2); 143-162.

BRECHT, Bertold (2005), «Teoria do Rádio (1927-1932)», emMeditsch, E. (org), Teorias do Rádio. Florianópolis: Insular; 35-46.

CEBRIÁN HERREROS, Mariano (2001), La radio en la convergencia multimedia. Barcelona, page. 175.

COLLIANO, Jerry Del (2008), «Gen Y Consults Radio», InsideMusic Media, 14/04/08 http://osegundochoque.blogia.com/2008/070202-incluir-a-participac-o-do-ouvinte-na-estrategia.php. Consultado a 13 de março de 2013.

CRISELL, Andrew (ed) (2006), More than a music box: radio cultures and communities in a multi-media world. Nova Iorque: BerghahnBooks.

EBU (2011), «Public Radio and New Media Platforms 2011», ExecutiveSummary. http://www.ebu.ch/CMSimages/en/MONTAGE__WEB_Executive_summ_SIS_Radio_2011_A4_tcm6-72187.pdf. Consultado a 13 de março de 2013.

EBU, (2011). «Public Radio and New Media Platforms 2011», Executive Summary. http://www.ebu.ch/CMSimages/en/MONTAGE__WEB_Executive_summ_SIS_Radio_2011_A4_tcm6-72187.pdf. Disponível a 13 de março de 2013.

FLEMING, Carole (2002), The Radio Handbook. Londres: Routledge (2ª ed).

HENDY, David (2000), Radio in Global Age. Cambridge: PolityPress.

MARTÍ MARTÍ, Josep M. (1990), Modelos de programación radiofónica. Feed-Back Ediciones.

McLUHAN, Marshall (2005), «themediumisthe MASSAGE notes», Mass Media Society, 13/09/2005. http://masc1100.blogspot.pt/2005/09/medium-is-massage-notes.html. Consultado a 13 março de 2013.

MEDITSCH, Eduardo (org) (2005) ,Teorias do Rádio. Florianópolis: Insular.

MENESES, João Paulo (2010), «A rádioemcrise antes da crise provocada pela Internet», Observatorio (OBS*) Journal, vol.4 – n.º 1, 001-024. www.obs.obercom.pt/index.php/obs/article/viewFile/334/339 Consultado a 1 de janeiro de 2014.

MENESES, João Paulo (2011), «Os jovens e a rádio (em Portugal): Umageração perdida?», Observatorio (OBS*)Journal, vol.5 – n.º 2, 053-078. http://obs.obercom.pt/index.php/obs/article/view/469/438. Consultado a 13 de março de 2013.

MENESES, João Paulo (2012), «About Pandora and otherstreamingmusicservices: The new active consumeron radio», Observatorio (OBS*) Journal, vol.6 - nº1, 235-257. http://obs.obercom.pt/index.php/obs/article/view/511. Consultado a13 de março de 2013.

PRO MUSIC Website. Disponívelemwww.pro-music.org/index.php. Consultado a 2 de janeiro de 2014.

RAJAR (2008), «Podcasting and Radio Listeningvia Internet Survey», (page. 8). http://www.rajar.co.uk/docs/news/2008_07_podcasting_listening_survey_old06062011.pdf. Consultado a 13 de março de 2013.

RAJAR (2008). «Podcasting and Radio Listening via Internet Survey».http://www.rajar.co.uk/docs/news/2008_07_podcasting_listening_survey_old06062011.pdf. Consultado em 13 de março 2013.

RAMSEY, Mark (2011), «How Radio Can Battle Pandora – Part 2: BeyondMusic», 02/01/2011. http://www.markramseymedia.com/2011/06/how-radio-can-battle-pandora-part-2-beyond-music/. Consultado a 13 de março de 2013.

RAMSEY, Mark (2012), «TV’s Digital Lessonsfor Radio», 27/09/2012. http://www.markramseymedia.com/2012/09/tv%E2%80%99s-digital-lessons-for-radio/. Consultado a 13 de março de 2013.

ROTHENBUHLER, Eric W., (1992), «Commercial Radio and Popular Music», emLull, J. (ed), Popular Music and Communication. Newbury Park, CA: Sage; 78-84. http://tagg.org/others/rothenbuhler.html. Consultado a 2 de janeiro de 2014.

«Swedes prefer streaming to downloading», The Local, 13.3.2013. http://www.thelocal.se/46646/20130310/#.UVWqhhy56Ag. Consultado a 13 de março de 2013.

U. S. SENATE Committee on Commerce, Science and Transportation (2007). «Testimony of Tim Westergren», U. S. Senate Committee on Commerce, Science and Transportation Hearing on «The Future of Radio», 24/10/07. Disponível em http://www.gpo.gov/fdsys/pkg/CHRG-110shrg73787/html/CHRG-110shrg73787.htm. Consultado a 2 de janeiro de 2014.

WALL, Tim (2004), «Thepoliticaleconomy of Internet music radio». The Radio Journal – International Studies in Broadcast and Audio Media 2: 1; 27–44.

Similar Articles

<< < 12 13 14 15 16 17 18 19 20 21 > >> 

You may also start an advanced similarity search for this article.